A Philharmonia month!

This busy period had been approaching since mid last year when Rich told me that the Philhamonia/Rite digital and multiple bookings for various projects practically back to back in a very short period of time. The projects are Universe of sound and re-rite, 2 of the Philharmoinas sucessful video instalations consiting of many projectors and LED tv screens playing back synchronised recorded footage of the orchestra so visitors to the installation can find themselves inside the orchestra via the medium of sound and video. Both projects Universe of sound and Re-rite are similar on the surface but both required their own set of planning and logistics for each one of the venues they were touring to. In addition to this, there were two concurrent bookings for Re-Rite which meant a second entire system needed to be built to fulfil this! The diary went something like this..

Canterbury Christ church install of universe of sound.
Steve, John, Rich, Bob, Graham, Bea, Greg, Ash, Adam, Matt & Myself

Halfway through the install Bob, Graham, Steve, Bea, Ash go to Salzberg to begin the install of re-rite. The rest of us stay on and completer the install and open onetime on press night.

Rich flys to Salzberg to oversee the install and Myself/Iain/Richard fly to Hamburg to begin the install of Re-rite hamburg. After 1 day in Hamburg marking up the site  Bob and Graham join us to carry on the install and then later we wee joined by Dicky and John.
Rich fly out to Hamburg just before opening to oversee things and then we have 2 press nights.

At this point there are 3 of the Philharmonias video installations up and running in Canterbury/Salzberg & Hamburg. After a short break of a few days Steve, Rich go to Canterbury and meet Amy, Greg, John and the others to take out the instalation of UOS Canterbury. A couple of days later we (Rich, Steve, John, Bea, Bob, Graham and myself) are all back together in Birmingham to begin the install of Universe of Sound Birmingham! Currently where are well ontrack with the install and all is looking really good, at this point Bob, Graham and Ash are taking out the install of Re-Rite Salzberg and the past month feels like quite an amazing blur of activity. Re-rite Salzber/Hamburg, & UOS received a great reception and I’m hoping the people of Birmingham like it just as much when we open to the public on Saturday. Were installing it in Birmingham’s old municipal bank building which has remained closed for the past 15 years and is quite a cool building. Heres a quick photo recap of the past month!

Rigger Rich at work beginning on the truss work at Canterbury Christ church.

The lifting of the Dome at UOS Canterbury

A Sharpie birthday message to Marina in the office from us after enjoying some very nice Belgium beer in Canterbury!

Just one of the MANY marketing posters for Re-rite Hamburg, no pressure! In the background is the Elbphilharmonie building in where we were installing the gig.

Men not at work the bridge to work was up to let boats through so we were just a little late!

The beginnings of partitioning the car park where we were installing the projections, lots and lots of acro-props.

Beginning the projection lineup in “The Helix” we were mapping the spiral ramp which the cars climb to access the various levels of the car-park. With some tricky rigging and projector positioning we managed to hit all surfaces with the projection raster.

Using catalyst to visualise the mapping and draw the mask areas and render templates.

A little bit of self promotion for people on site visits to the Elbphilharmonie!

Mapping the orchestra onto the windscreen of a pretty expensive BMW!

The start of UOS Birmingham with John taking the lead with the clipboard!

Utilising the old post room to store kit, there was lots of random old stuff left in the building, apart from the army men, they came from Canterbury

Later in the week after getting ahead of the game with the install we soft edge blended 3 of the projectors on the UOS dome using Catalyst and had a movie night, watching Run Lola Run. Watching a bank robary whilst sat inside a bank was quite fun!

Updates to follow soon!

 

 

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Leaving korea

Almost all of the Les Miserable Korea tech team

I’m sat here on the flight back from Soul after spending 2 weeks working on the install of Les Miserable Korea, which will run in Blue Square theatre, Seoul until August this year (2013).  I think the last post I did we were just commissioning the automation floor tracks which involved spending allot of time on the floor on our backs tighining bolts and tweaking pulleys.

The following week we were into tech rehearsals where, generally in the morning, we did allot of running around fixing and maintaining stuff and then the rest of the afternoon was sporadic work when we got access to the stage.

It was around this time when we got into later starts so I decided to go for a run around he area by the hotel. I had sort of planned a route in my head and had a look on Google maps so I kind of had an idea where I was going. What actually happened was different, I ended up running to Seoul tower which was quite hard work but the park area its located in is pretty nice. However, on the way back down the hill I took a wrong turn and ended up not where I thought I was going to end up, I was lost! Luckly there was a police station near buy and one of the officers spoke English so she pointed me in the right direction and after another 30 mins of running I was back at the hotel, panic over!

My unexpected running route

Later in the week we did a projector clean and then a lamp change for the long run in Seoul. There was quite a bit dust on the robot/filters but with a good bush and some dry air combined with the new bulbs the image was rather punchy again.

Steep angles and wide lenses, such a small distance from the lens to the screen

The projection on the show consists of 4 projectors all together. 3 x onstage soft edge blended pointing at the back wall at quite an acute angle, and one out front which covers various scenic elements of the set, such as the show cloth and the sliders. All of the media playback and main/backup switching is handled by a pair of Catalyst servers, which in turn is controlled by the Eos lighting console.

Black projection surface which takes the image quite well.

Later on in the week when we all had a day off, Simon, Dickie, Ali, Booney and myself decided to have a walk up to Seoul tower and actually go up the tower to see the views. It was quite a warm day the steep hills on the way up got our hearts beating!

Ali, Dickie, Booney, Simon

During the last few days there was quite allot of time where we were unable to do any work on the show when they were rehearsing. So together with Simon combined with is VB knowledge and understudying of the automation system software and my skills in VVVV we collectively created a Les Miserable Automation set visualiser. This receved packets of UDP data from the automation which we could read the encoder count and axis number. From here we created a very basic 3D virtual world of the set which moved in real time when the physical set moved onstage.

Before we knew it it was opening night, he show went well and we all had snack and drinks in the restaurant adjoined to the theatre. It was good to see everyone the and have a good chat now that all the work was finally done. Ive met some really nice people whilst doing this job during all 3 visits to Korea, it was nice to be going home but also sad to be saying goodbye. What was disconcerting was the currently escalating concerns about North Korea and the war threats. What felt horrible was that even though we were flying home the following day was that for our Korean friends Seoul is their home at threat. I really hope the situation gets sorted.

We’ve had brilliant translators on this job who’ve helped make things easier helping us communicate and negotiate with the non English speaking crew. Also thank you Tina & Heaven for my Korean name “Sang Soo Kim”, which kind of translates to Stage Left Smith.

Tina, Heaven, Myself & Simon : photo taken by BJ

 

 

 

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A little bit of music….

Heres some music recommendations for a change, I love discovering new music, or not even new just songs/styles which I haven’t heard before. Im not sure quite how I found this but I first came across this SizzleBird remix of a track by Angus & Julia Stone but its definately worth a listen. After hearing this track i decided to find more origonal songs by the duo and it turns out that the album Down the Way is rather good too!

Its always nice when you trawl the internet and find some good music although i quite frequently find it takes allot of searching as there is zoo much stuff out there. Heres a few links to some artists/bands which are in my top list.

Saycet
Niki & The Dove
Talbot & Deru
Purity Ring Love THIS song
Fritz Kalkbrenner 

As a side, theres a noice review of the set disogn for the last Purity ring tour where parts of the set were used as instrument MIDI triggers realised by Tangeble Interaction. The write up can be found Here. I Hope you enjoy the links wherever you may end up :) .

 

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From Tokyo to Seoul (and a bit of War)

I Cant deny that I’m a lucky chap to see so many different parts of the world through work. and I’m so glad I had the opportunity to go to Tokyo. Its not all play, although I generally don’t write too much about the work aspect I was over in Tokyo working for 59Productions to make sure all the video kit was prepped for the Japanese rehearsals of Les Miserable. It was 4 days in a studio space, prepping kit, making it work/ communicate with each other and conveying to the Japanese company providing the hardware, what we required. The day I flew to Seoul, i had the morning available to look around Tokyo.

Deciding i was going to do much walking i walked to Roppongi hills and had a wander around to find a huge spider sculpture which was pretty neat. Upon my translator Shoko’s recommendation i decided to walk into town to the Electrical appliance district as that where all the gadgets were! It was a bit of a grey day and slightly raining, which brought out the brollies in force, i think i was the only person walking round without a brolly, for some reason I thought it was going to be completely dry! I was wrong!

I eventually got to the area and went into Bic Camera which is a MASSIVE electronics/gadgets etc store in which I lost a couple of hours looking at stuff.  There wasn’t anything there you couldn’t get off the internet but it was pretty overwhelming to have all of this technology under one roof! I made it back to the hotel, got a lift to the airport and by 21:00 that evening I was at my hotel in Seoul.

This job is another move of the Korean version of Les Miserable on which I’m working with Simon Wait installing the automation for the show and also overseeing the projection. Its day 3 and we’ve got allot fo the bulk of things in.  Yesterday we got all the floor laid and there was allot of time spent on the floor running in belts and plugging up motors. Its noisy, long days, some standing around waiting then a flurry of work bit its a good bunch here so were all merrily getting on with things.

Lying down on the job

So now, according to the news North korea is at war with South Korea. It still seems pretty chilled out here in Seoul and non of the locals seem very bothered. Seems like another empty threat from the fresh faced Kim Jong Un but no-one really knows. Its good that everyone is just getting on as normal, why let a little war threat get in the way of things!

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Cherry Blossom Tokyo

Today I’m in Tokyo, well Ive been here for just over 24 hours now and its pretty exciting to be in such an iconic city. When I arrived midday yesterday I got out the car to see the most amazing site of the Cherry-blossom trees in bloom around the place i was staying, in-fact I was after told this happens every year for only about 2 weeks and they’re in bloom everywhere! Its an amazing site and I’ve been so lucky to see it!
Getting here was a bit of a mission with 3 flights to catch and connections with no room for error. 06.00 leave the house and get to Newcastle airport, fly to Heathrow land at 11:00 and next flight to Seoul at 12:00. When i landed in Seoul, about 12 hours later I had to arrange to get my bags transferred from the BA flight onto the Korean air flight, which took a lot longer than expected. Eventually I made it to the gate with 5mins to spare, first world problems indeed…….

The reason I’m out here is to Prep the video kit for the Japanese version of the stage show Les Miserable. The Kit is being provided locally but needs to be prepared and all the Catalyst commands set correctly to talk to the corresponding equipment. I thought this was straight forward but now I can understand why Fiftynine-Productions sent me out. The Japanese Magnux, who are providing the kit and support for the tour have done a great job getting all the kit together and was plugged up perfectly when I arrived today but i guess a few things were lost in translation Jon’s (Who I’m prepping the kit for) specifications. There were a few racking issues and miss-understandings of things which in hindsight seem obvious now but at the end of today were in a good place ready to crack on with geeky stuff like setting up the ethernet commbs between Catalyst the Kramer switcher and Avitec Multiview. Its been a hard but fun day, and also what is prety cool is that were rehersing at Toho studios the place where Godzilla was made! Ace!!

I forgot to buy milk this morning when i went to the shop to buy some bits and pieces for my stay. I was telling this to my translator Shoko who has been an absolute godsend today and she was saying that non of the milk in Japan seems to be labelled in english so english speaking visitors can never tell what kind they’re buying. So, for the first time in my life I was given help to buy milk, there were so may variaties, and in the end i went for semi-skimmed, (i think)!

24 hours in and I really like Tokyo, everyone is so polite, theres allot of work to be done in my two remaining days here but but it should be fun with the bunch of people I’m with!
Aw, group hug, ha!

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A Brief Visit to the Laing Gallery Newcastle

Seeing that I’ve been home in newcastle for a short amount of time i took the opportunity to catch up with Steve Legget who works in the Laing art gallery Newcastle. Steve’s a good old friend and writes allot of electronic music which is well worth a listen to if you like cleverly sampled ambient tunes. Upon meeting steve he took me straight to one of the galleries upstairs and showed me this!

Going though the door initially i couldn’t tell what it was but it looked very smart, upon closer inspection i realised that each of the black things in the muddle of the white squares were clock mechanisms. And looking even closer i saw that some of them had the second had on them and were ticking merrily away with a tinly piece of pencil lead hanging off the end of the second hand whoch drew beautiful spiragraph’esque organic pattens with the ticking motion.

Each pencil pendant was a little different to the other and the slight undulations in the floor showed up through the pencil. Steve was telling me that each week the artist comes in and adds another row of hanging pencil leds onto the clocks so each row ends up being one week younger than the previous which shows up through the definition of the drawn circles. Its such a brilliant and beautifully simple idea its well worth a visit if your in the area. The piece is called Timecasting Nick Kennedy, a more detailed writeup can be found here LoraCollinsArt

 

 

 

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Berlin-Newcastle-Weatherby

The above picture are the curtain calls for the show The Yellow Wallpaper which is currently in rep at the Schaubühne Theatre Berlin. We spent 3 weeks in rehearsal in Berlin then 2 more weeks in the theatre space but still didn’t seem to have enough time, Jon, Grant, Giles, Helen and Jack did a great job of pulling the technical and visual elements together and previewed to a very happy audience!

Around Berlin whenever me and Meg’s went on a random wander we woud see loads of Lamp shops selling second hand antique table lamps and general light which was pretty cool, and one particular one which we would pass on our way to work called Berliner-Lampenwelt which has proved an inspiration for a long term project I’m working on with a couple of colleagues which will involve a few hundred channels of  12v dimming all custom made of course, keep checking back here.

Straight after coming back from Berlin I was booked to go stage one and work on some things for a large up and coming project, its almost been a year since i was last down but was glad to see the owners do Boo, happily lying in the middle of the floor!

It was also nice to see the Automation playback wing i helped design and build was still in use and hand a nice new facia. I was told these got used extensively on the Olympic opening ceremony which was nice to hear, although Smithy still doesn’t like the colours on the wheels ;) .

The following week consisted of getting some measurements from cads and 3D modelling what I can only describe as a roller-coaster track for some visualisation. A few mods to the PCB for the Automation Playback wing, finding spares for the overhaul of the Priscilla  london bus which was coming back for a refurb, and also sitting down with Neil and help come up with a solution for a job he was putting together for a Zaha Hadid designed shop!

Fast forward 2 weeks and I was in the other hangar working with Ian, Ben, Parky, Simon and Iain presented with the huge task of rebuilding the Priscilla London bus which had been in Brazil for a year and had came back in a bit of a state. To get the 8ton monster across the world the whole thing comes apart but not without allot of unplugging unbolting and pulling. Now that it was in the hangar for a reasonable amount of time we decided to do a major LED rewire and re run most f the cabling to make the install easier on its next outing which will be Sweden!

So, then, somewhere along the chain of wiring the 24volt and 0volt wires got accidentally reversed on one of the led panels and we discovered what happens. Funny enough the capacitors don’t like the reversed polarity and decide to explode, below is the aftermath.

We eventually stopped blowng up thing and made real headway getting the bus into shape. Thinking back, since the insane build and install in the Palace Theatre in london in 2009 nothing had changed so it was quite a challenge to try and update and make things better. The pixel mapping is done using vvvv software split across 2 computers translating video colour data into art net spread across around 400 universes. Looking at the vvvv patch it is actually quite a monster and quite often I wonder, how on earth I managed to make it work! What I’m really happy with is that the patch is still going strong now and works a treat. Iain sent me the below picture after i had left the job, good work Iain!!

Finally, for this blog update I have to share that i have, after much delay, installed the pull out keyboard tray into my GMA2 Wing custom flight case. Its been a long time in happening but I’ve been meaning to do it for ages instead of having my bluetooth keyboard balanced precariously on the desk, baby steps but things are taking shape!

 Thats it for now, quite a relatively short post considering all the theings whch have happened imbertween but ill aim to fill the gaps and quite soon!

 

Andy

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Snowbots in Berlin

Its the start of another year and I find myself in Berlin again (currently 29th jan 2013) working on another Live camera theatre show. Previous to comming to berlin i spent a week in Ipswich working for the Philharmonia in preparation for a very install period of re-rite and Universe of sound in the spring! It was a busy few days testing, updating and preparing kit which can bee seen here, with Rich, Ash, Chris and myself very hard at work. Also whilst I remember check out the Philharmonia’s new app The Orchestra which is really quite good it is more expensive than your average app but you get allot for your money.

Five days later I was in Berlin to join the Jon, Megan, Jack and the rest of the team to start work on Katie Mitchell’s new show Yellow Wallpaper. Luckily I had a MA2 to play with and program video for the show on but first had to set up the system.  This was the first time we had attempted to integrate LX and video onto the same console which had to be tested and proved. Generally in the past with Jons system we had taken the midi MSC output of the console and filtered out the shot number using MidiPipe and then displayed it using the system text function in Catalyst so that when stepping through Cues on the console the current camera shot number was displayed on all of the preview monitors for the actors and camera operators. In theory this should have been easy but because we had 2 consoles and multiple cue lists we couldn’t specify which cue-list would send the MSC so if video pressed GO and our cue-list was on executor 1.11 we would get a combination of the CUE number and the executor ID which was great but also if LX hit go we also got there executor ID and their CUE number which was also great. This was until, it was discovered that MidiPipe which we always use to filter down the MIDI would not read in the MSC output by the MA2. No matter what configuration we tried to output the MSC from the console midi pipe wouldn’t read this in and thus we could not filter the packet.

This was one of those horrible situations where there was no time or resources to test this previously and being unable to make this work onsite with the time constraints was frustrating! More frustrating was that because of this and the camera operators complete reliance of seeing the shot numbers, was that because we could guarantee it to work straight out of catalyst meant I was to ditch the MA and program Cue-lists direct on the Mac! Onwards and upwards, 3 weeks in I can say its not really too bad, just slow, and with the inability to quickly copy states makes some of the simpler tasks slower.

Its an interesting working environment, with allot of politics going on around the room which is definitely worth staying well out of and making the most of tea-breaks sponsored by our new friend Eddie sent to us by Karl :)

Last week a couple of friends were touring to Berlin with Enter Shikari, Ed and Steve. Ed who id seen for the second time in 2 years at ipswich the year before and Steve who I hadn’t seen for probably a year. Me and Megs went to the gig which was lots of fun and then partied Berlin style afterwards. It was a thoroughly enjoyable evening although the following day was quite difficult. Only a few weeks, earlier Ed had proposed to his now fiancé onstage at the Roundhouse London, and I have to share the video below. Hats off to you Ed, bloody good work!

http://www.youtube.com/watch?v=vd4BlVxIuG4&feature=youtu.be

Last week we also went to a trip to Teufelsberg in the Grunewald area just outside of berlin to see if we could get into the old abandoned listening tower which I visited last year. I had heard that shortly after i had climbed through a hole in the fence last year to get inside the compound that they had repaired all of the holes and were charging people for tours. This is true, all of the holes are repaired and there are a couple of people at the entrance keeping an eye out. It kind of looses some of the appeal of sneaking in and exploring but with a popular visiting place it was bound to happen. During our time walking arround the perimeter fence we founs this tree which had grown through the chain link fence and knitted itself in, pretty amazing!

Today, 29th Jan, the snow is almost gone, its been a relatively warm couple of days and combined with the drizzly on and off rain/sleet theres barely any snow left on the paths. This is the complete opposite of sunday when most of the rivers were frozen and enough snow in Treptower park for us to make a Snowbot, he was named Herman, how original!

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October November

In an effort to catchup to current times wit this blog, heres what been going on over the past few weeks since the last update beginning in October.
The very beginnings of october was a week full working with  59Productions helping out with possible system design scenarios for the pending DavidBowieIS exhibition due to go into the V&A museum next March which looks like its going to be a pretty media intense experience, I’m pretty sure I cannot say anything more than that right now!

With a couple of days off i was back on a plane all the way to South Korea to do the setup and some video programming for the Korean mount of Les Miserables in Seoul. The first week was a rather busy week setting up and getting the system ready for Jon arriving the following week to take over the programming up until press night, by the time everyone had their desks setup in the auditorium it was very much like mission control.

On the sunday we had off Jon and Myself went to the aA Design museum in Seoul.

I wasn’t sure what to expect when we turned up there but the place is actually a cafe first, and a kind of museum/shop second. Unfortunately the shop was closed when we were there but the decor of the cafe and the feel of the place is pretty cool, definitely a place to visit. Of the few places we managed to get around in our 2 sundays off in seoul this area around Sangsu rail station (37.547767,126.922955) was quite a neat area to visit!

Upon returning home from Seoul i had decided to build my first Hexacopter and after quite a bit of research settled on the DJI F550 kit with the NAZA controller. The kit was pretty straight forward to build but quite a learning curve getting into the whole radio control business and such. After a few school boy errors in setup myself and my good friend Iain had a very successful first flight with the copter and we were massively impressed by the responsiveness of this thing. More about this in future blog posts!

Whilst I was in Korea i had a call from Roy at Stage one Creative Services asking for some advice on a project they had where they needed to transmit power and data down a slip-ring to a huge mirror ball which had LED screens on the outside. I managed to find a product which would do the job and thought nothing of it until a couple of weeks later I saw a huge LED mirro-ball outside the TATE gallery, after quick mail to Hayden at the Colorsound Experiment who were StageOnes’s client for this and low and behold it was the same project!

By the end of November I was back on a plane to South Korea again this time to work with Simon Wait on the automation side of Les Miserable Korea for its move from Seoul to Deagu. It was very good and rather busy 10 days working with Simon, Shin, Bak and Jong Min.

 Thats it for now, im currently sat in Starbucks in London with a strong coffee watching people walk by on a very wet Oxford street! Next update will once again be sooner rather than later!

Andy

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MEGA UPDATE!!!!!!!

With all the best intentions in the world to keep this blog updated Ive let it slip and haven’t posted much for the past few month and there’s allot to catch up on! So after Richard Slaney asking me for an update here we go, lets go in chronological order starting with Bluebeard Sanfansisco:

BLUEBEARD, SAN FRANSISCO June-2012

On the back of last years mini tour of the Philharmonias production of Bluebeard’s castle we were invited to stage the whole show again at Davids Symphony hall, San Fransisco. This was the first time we had done it since November (I think) last year. Sticking with the theme of Bluebeard technically not being one of the easiest gigs, here we had 6, yes SIX HD20 Barco Projectors because of the size of the set and also, because we could. Lining 6 projectors up onto a set with varying surfaces of different focal points was never going to be an easy thing, and we had spoke about this numerous times beforehand thinking of alternative ways, and different projector configurations on how to do this. In the end  Nickin pulled the rabbit out of the hat and spent a long time using the internal warp boards in the projectors to pull the focal point of each projector into alignment on each surface, bloody good work man!

We didn’t have allot of time to setup, lineup, and remember how to use the Chamsys again after what felt like such a long gap. Coupled with the rather strict American union rules, where we would have worked through breaks to get the job done here back in England, our breaks and hours we could work each day were fixed and limited. We did however manage to get everything setup and running for rehearsals, it felt like we were all swimming upstream against the tide for many hours the first few days but as usual it all came together with enough time to play and for me to put pictures of everyone on the set, which helped with our sanity levels at that time!


Opening night came and i think we had a full house, everyone seemed to enjoy the show and the whole concept with the projected visuals, moving set, opera and orchestra fused together this way. There were quite a few audience members came up to myself and Nickin at the operating position saying it was wonderful and asking how we did it.
During the run we had some troubles with the automation provided by a company who shall remain unnamed where we completely lost one of the automated axis for part of the moving set. It would have been nice to have spares and Steve spent rather a large amount on calling the UK for “support”

All in all it was a good version of Bluebeard’s Castle and it was great to have the whole team back together again. One or twice we did get a limo provided by the venue, below is Rich Nick and Nickin pimping it up just before a camp night in the pub as it was the evening before pride!

The following day Steve and myself decided to head into the centre of town to see what happened at Pride in San Fransisco. This day Steve decided to shave his beard leaving a classic village people style tasch and a local policeman whas more than happy to have his picture taken with the famous Barco Ninja (Steve)

Ten Billion London-Avignon

Literally a few days after getting back from San Fransisco I was straight onto the next job, video programming 10 Billion, a new show with a scientest called Stephen Emmott directed by Katie Mitchel and Video by Tim Reid associate of Fiftynine Productions. I met Tim at the offices in Hoxton where he was trying ideas in a model-box set before we loaded in and setup projectors etc at the Royal court in the following couple of days. The show itself was less of a theater production but more of a lecture/talk about the worlds population continuing to increase at a vast rate and how we as humans are having an impact on the environment around us. There’s a better interview with Stephen in the Guardian here.

We eventually got in to the royal court and i met everyone and figured out how the hell to get our projectors into place in such a little theater space. You never know what its going to be like when going to a new theater with new people but i was pleased that tey are genuinely such a good bunch of people at the Royal Court.

Above: Tim Working hard at his laptop

I cant exactly remember how long we all had to setup, tech rehearse the show but i do remember tat it wasn’t very much time at all!  Also it was the first time i had used the ETC Ion so it was a bit of a baptism of fire to get up to speed on this with such a limited technical period too. God knows how much time i spent at the control position pictured below but i think we all went a little stir cray at some point!

It was fun working with Tim and i could see he was right up against it given the time constraints. Many ideas were tried, some stayed and some didn’t, id like to work together with Tim again sometime with more than 2 days to tech a show from scratch!

This was part of my pre-show checks, before every show, maling sure the projectors were in focus, pointing at the correct part and that the catalyst keystone mix lineups were in the right place! Oh memories!

Following on from doing previews of the show in London we then took it to the Avignon festival where it was presented at a brilliant old theater space called Chartreuse de Villeneuve, converted from an old monastery. We had allot of fun here and had one or two bloody mary’s on some of the days pictured below.

Giles, Pippa, Stephen & Dan making drinks.

Tariq, Katie, Dan, Mark and myself also went and took in some of the festival atmosphere after our show and ended up in the “Dancing Room” at the festival bar. This was such a brilliant night and we all danced like idiots for a good couple of hours. Below is Dan doing the classic windmill move.

10Billion was a hard show to start off with, averaging 14hours a day for the first week even during previews but I’m so glad i was working with the people I was. So much infact I decided to make some thank you cards which also folded up into a tiny model of the set!

The card unfolded

Folded!

Rings of Colour

During 10Billion being performed at the royal court the whole Olympics was going on. I had been working at Stage One  earlier in the year as part of the technical team designing some of the hardware and specifying part of the automation infrastructure. A good friend Karl was in town at the time and he invited me along to come and help out (see) the control center for the rings on London bridge. It was pretty cool to be up to the top of one of the towers. Stage One provided the rings and the lifting mechanism as well as the custom weather alert system programmed by Karl which gave constant updates on weather around the bridge via text and email to the main operators. In the event of high winds the rings would be lifted horizontal for safety.

Its always nice and pretty cool to get invited to places like this and see the views.

also during 10Billion, the day we arrived back from Avignon was the opening ceremony. Megan (my fine lady) was working as assistant to the video director for 59Productions and we were both invited to 59′s studios in Hoxton to watch the opening ceremony with many other people who had been involved too. We both had had some sort of high end involvement and it was pretty nerver racking watching this knowing our friends were inside the stadium pushing the important buttons and making sure it all worked!

In the end it did all work and it was a bloody brilliant show, we left Hoxton pretty pissed and relieved that night, a great end to a long few weeks!

Friends at the Proms

One Sunday by good friends and partners in crime were also pushing the buttons at the Wallace and Grommit’s Musical marvels at the proms in the Albert hall. Nick Hillel got us in to see it and we met Steve and Iain pictured below, who had all had a long morning of rehearsals and technical surprises! It was a fun show to see and great to catchup with some friends.

Iain on the buttons.

ReRite Overhaul

Following a busy year for the Re-Rite Kit, from a  long stint in China and then another long stint in a dusty old disused tobacco factory in Turkey it was due for an overhaul and some hardware improvements to make the installs quicker and easier!

It was ace to finally have some time in the Philharmonia’s new warehouse space to get the whole kit out, clean off the the dust accumulated after a busy 18 month! It was a good few days with the kit prepped and packed ready for 2013 wich looks to be a busy one already!

Media Player Custom Plates

Earlier this year working with Steve Holmes we installed Universe of Sound, a large synchronised video instalaltion for the Philharmonia orchestra. As a progression and improvement for the next install I designed a custom plate and mounting method for the media plates used in the install. Below is the prototype incorporating the projector mount, media player and projector in one unit.

The final production units were anodised black and the overall height was reduced to the previous versions. the whole unit sits in a flight-case fully plugged up with the hanging bracket already attached so on the next install it will dramatically reduce installation time.

ARTAV Isaac Julien Copenhagen

Mid August i did a job for ArtAV at GLStrand in Copenhagen installing a 1 screen video piece for artist Issac Julien.

It was quite a straight forward instal but had to be incredibly precise with the focus and projector position as we were using one of ArtAV’s custom borderless screens (pretty).

After a good long day and a bit assembling the screen, mounting the 5:1 surround system, and projector, and then making the cabling invisible, it was pretty slow and precise going but was the only way. The colour balance was important and ended up having a long phone conversation with Isaac explaining how he likes it to be saturated.

I had a few hours to pass in Copenhagen after the install was complete and Jon from GlStrand recommended i went to Christiania, a huge hippy area in the centre of Copenhagen. I highly recommend it, its a pretty cool chilled out area, and this poster below pretty much sums it up, if you find yourself in Copenhagen, go visit this place.

 

HOLIDAY!!!!!!!

Finally I booked a holiday for me and Megs to Vancouver, we went all over the city, hired a silly little sports car and drove to Whistler, and met up with some old friends living out there.

Also on our wanders around the city Megs discovered Vancouvers answer to Charity Peter. This was a great break after an already busy year for both of us!

Berwick Film & Media Festival

And finally, at the end of this, MEGA (thinned down) catchup, I spent a couple of days with Steve, I’ve worked with steve allot this year, working on Berwick Film and Media festival. One of the taking installs was a 24Screen syncronised video piece by Jason Dee with was pretty nice. Below is Steve debugging and getting the playback system to work FRAME ACCURATE!!

So thats the end of my mega catchup, I’d like to think that im going to keep ontop of this blog again and not let stuff slip so much but to be honest it may be a week, a month of even 3 month before I repost, We’ll See!

Andy

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